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“Come on Betty, you haven’t had a dance this evening. It isn’t fair for the grownups to have all the fun,” invited Howard Eliot. Edith worked very hard. She called her operetta “The Triumph of Flora.” The words were her own, written hurriedly and set to familiar though classic airs. Yet many of the daintiest, most tripping melodies she wrote herself. The sorrows of humanity had winged her brain and dipped her pen in harmonies, that she might assuage them. CHAPTER V.—A DANCE IN THE CEDAR HILLS..
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Conrad
The dance was held in a new barn of which the floor was especially good. Indeed the young people of the family had seen to that. Unfortunately the stable end of the building was already in use and this proved to be somewhat inconvenient. During the festivities of the evening one delicate lady fainted from excitement and overpowering stable odors. She speedily revived, however, on being carried into the fresh air and soused with a bucket of cold water. The building was illuminated with lanterns and an occasional oil lamp. Benches were ranged along the walls. The crowd was large and as usual at these affairs men predominated in numbers. The dances were mostly square ones and when a husky caller-off became hoarse and exhausted with shouting, another took his place. He usually stood at one end of the building beside the fiddler. That night when Mrs. Bennett went into the Fo’castle there was an unusual note in Billy’s voice. The little room was rude and bare, but Billy loved it. He thought the massive beams like the ribs of a ship, and planned to hang between them all his ship pictures. Anything relating to the sea fired his imagination. It gave him a sense of manliness to sleep there alone; and when the heavier gusts of night wind rocked the tower, and each revolution of the big wheel splashed the water against the tank, as waves lap a ship’s side, he dreamed himself on the ocean, called himself “Captain.” “Try a mile with this can and see where you come out in the race.”.
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